You are bidding on an almost brand new sound system. This equipment was used one time for about 2 hours and another time it was just set up but never used do to a cancelled concert. I am selling this for a venue in Mesa, Arizona who use to do concerts for local bands. They asked me to sell it because it was just taking up space. This equipmetn is in perfect shape. Everything works perfect and I can honestly say that if I saw this I would think it came right out of the box. This is perfect for a band looking to upgrade their sound equipment or just a new band looking to get some nice gear. This equipment has the perfect set up and the sound is amazing. It is so clear yet has just enough bass. If you want more bass from the speakers just turn it up on the Mackie 12 channel Mixer. This equipment retails for over $4000! Do not let this one go!!!

(2) JBL SF25 Two-Way Portable Speaker
System

JBL SOUND FACTOR SF25 The SoundFactor SF25 is a portable, dual fifteen-inch, two-way speaker system designed specifically for applications in live music performance and music playback. The dual fifteen configuration is especially useful for applications in which additional low-frequency power and extension is needed but adding a subwoofer to the system is not practical. Features: Dual JBL low frequency drivers with a 64 mm (21/2 in) diameter edgewound ribbon voice coil which provides more crosssectional wire area in the voice coil gap than round wire designs, for greater efficiency and power handling. Ferro-fluid cooled compression driver with titanium diaphragm improves high frequency performance as well as system reliability. The advanced network topology crossover design shapes frequency response and delivers "coherent summation" in the crossover region. A "Quasi 3-Way" design offers the extra bass for which a dual fifteen extra bass for which a dual fifteen system is designed, but without sacrificing performance in the critical mid-range. The upper woofer produces mid-frequencies and bass, while the lower woofer concentrates on bass only. The reduction in mid-range phase cancellation greatly improves midrange sound quality and coverage. High-voltage capacitors and inductors with massive cores and heavy gauge wire enable the crossover network to handle high power without saturating.

Specs:

  • System Type: Dual 15" 2-way, sound reinforcement speaker
  • Frequency Range (-10 dB):2 35 Hz - 16 kHz
  • Frequency Response (±3 dB):2 45 Hz - 12 kHz
  • Sensitivity (1w/1m): 100 dB SPL
  • Nominal Impedance: 4
  • Power Capacity: 500 watts
  • Peak Power Capacity:1 2000 watts
  • Maximum SPL: 133 dB
  • Nominal Dispersion: 90° x 50°
  • Crossover Frequency: 2 kHz
  • Dimensions (H x W x D): 1092.2 mm x 463.6 mm x 431.8 mm (43 in x 18.25 in x 17 in)
  • Weight: 42.6 kg (94 lbs.)
  • Shipping Weight: 46.7 kg (103.0 lbs.)
  • High Frequency Driver: JBL 2412 1" exit compression driver mounted on
  • Progressive Transition(tm) Waveguide
  • Low Frequency Driver: JBL M115-8B x 2
  • Input Connectors: Neutrik(r) Speakon(r) NL-4 (x1); TS phone jack (x1); parallel
  • Enclosure Construction: 19 mm (3/4 in) MDF (Medium Density Fiberboard); with glued and mechanically fastened joint detail; covered in black carpet. Grille: 18-gauge, powder-coated steel
  • Mounting & Suspension: None




    (1) MACKIE CFX12 MIXER BOARD

    The Perfect All-In-One Mixer for Your Next Gig.

    12 CHANNELS OF MACKIE MIXING WITH SUPERB BUILT-IN EFFECTS

    Designed to take the hassle out of mixing live performances, Mackie's CFX.mkII Series compact live sound mixers feature genuine Mackie mic preamps, four subgroups, precise nine-band stereo graphic equalizers for greater sonic control, and onboard EMAC(tm) 32-bit digital effects-eliminating the need for outboard effects processors and cables. Combined with Mackie Active loudspeakers, the CFX.mkII mixers are part of a complete, easy-to-use Mackie sound system.

    What's new in CFX.mkII? New impact-resisting rubber side panels for better durability. New ergonomic updates including sturdier, more precise Onyx Series knobs. And new graphics, for better visibility in less-than-ideal lighting conditions. Best of all, the new CFX.mkII mixers come at a suggested retail price significantly lower than the original CFX Series.

    THE FEATURES YOU NEED TO GET THE JOB DONE

    All CFX.mkII mic/line channels feature genuine Mackie mic preamps, renowned for their high-headroom, low-noise operation. Additional channel features include unbalanced inserts and input Trim controls with individual Zero Level LEDs,

    3-band EQ with swept midrange, and 100Hz low cut filters for eliminating mic rumble. Each channel strip has a 60mm log-taper fader, one external, and one internal/external effects send; plus two Aux sends, pan, mute, solo (PFL), and bus assigns. The mixers also offer phase-accurate 9-band stereo graphic EQ for easy tonal shaping (and feedback supression). All three models allow two separate stage monitor mixes to be created with their own effects levels.

    Sweet touches abound on the CFX.mkII Series - like a simple, yet utterly handy Break Switch, that lets you mute all the channels, and instantly play any souce you've plugged into the Tape inputs. (Perfect for those moments when you have to take care of business offstage, and don't want some overzealous fan grabbing a mic to belt out "Free Bird.")

    NOT JUST ANY OLD EFFECTS Thanks to our massive digital R&D efforts of the past seven years, we've developed sophisticated 32-bit digital effects that rival dedicated outboard processors. Our EMAC effects sound clean and realistic - especially compared to the crude, jangling 16-bit effects on most of the other "effects" mixers on the market.

    TOUGH ENOUGH FOR LIVE Like all Mackie mixers, the CFX.mkII Series is designed for rugged, day-in and day-out road use. Their sturdy-yet-light steel monocoque construction houses rugged, double-sided SMT-plated fiberglass circuit boards, and 60mm faders with ultra-tight lip seals for keeping out contaminants. Onyx mixer-style knobs are mounted so they "ride" just above the steel chassis and absorb impacts without transferring damage to the internal components. And like all Mackie mixers, the CFX.mkII feature co-molded potentiometers that don't get brittle and scratchy sounding with age.

    CFX Series Specifications

    Frequency Response
    Mic Input to any Output Trim at 0 dB
    32Hz to 20kHz

    +0, -1 dB,

    Distortion
    THD and SMPTE IMD; 20Hz to 20kHz
    Mic Input to Main Output

    < 0.05% at +4 dBu output

    Noise
    20Hz to 20kHz BW (150 Ohms source impedance)
    Equivalent Input Noise (EIN)

    -127 dBu

    Residual Output Noise
    Main, Monitor, & Effects outputs
    Channel & Master levels off

    -95 dBu

    Common Mode Rejection Ratio (CMRR)
    at 1kHz, Trim at 0 dB

    60 dB

    Crosstalk
    Adjacent Inputs or Input to Output

    -90 dB at 1kHz

    Fader Off

    -90 dB at 1kHz

    Mute Switch and Break Switch Mute

    -80 dB at 1kHz

    Input Level Trim Control Range
    +6 to -50dB
    Phantom Power
    +48V DC

    Equalization
    Low Cut

    100Hz, -18dB/octave

    Mono Channel EQ High

    ±15dB at 12kHz

    Mid

    ±15 dB at 100Hz to 8kHz

    Low

    ±15 dB at 80Hz

    Stereo Channel EQ High

    ±15 dB at 12kHz

    High Mid

    ±15 dB at 3kHz

    Low Mid

    ±15 dB at 400Hz

    Low

    ±15 dB at 80Hz

    Graphic EQ (9 bands):
    ±15 dB
    Q =1.414

    ISO octave centers at
    63Hz, 125Hz, 250Hz, 500Hz, 1k, 2k, 4k, 8k, 16kHz


    Mixer Rated Output
    Main, Sub, Aux, & Efx:

    +4 dBu

    Maximum Rated Output:

    +20 dBu


    Maximum Input Levels
    Mic input Trim at +6 dB
    +18 dBu
    Line Input Trim at -15 dB
    +38 dBu
    Insert Return, Stereo Line Input,
    Tape Input, and Effects Return
    +20 dBu
    Maximum Voltage Gain
    Mic input to Insert Output

    50 dB

    Tape Output

    66 dB

    Sub Output

    66 dB

    Main Output

    76 dB

    Aux Send

    71 dB

    Line Input to Insert Output

    30 dB

    Tape Output

    46 dB

    Sub Output

    46 dB

    Main Output

    56 dB

    Aux Send

    51 dB

    Stereo Line Input to Tape Output

    40 dB

    Sub Output

    40 dB

    Main Output

    50 dB

    Aux Send

    45 dB

    Tape Input to Main Output

    30 dB

    Effects Return to Main Output

    30 dB


    Input Impedance
    Mic Input

    3 kilohms, balanced

    Line Input

    40 kilohms, balanced

    Insert Return, Stereo Line Input, Tape Input, and Effects Returns

    10 kilohms, unbalanced

    Output Impedance
    Main Output, Insert Output, Tape Output, Sub Output, and Effects Sends

    150 Ohms

    Digital Effects
    Resolution

    32-bit EMAC processing, 2-channel

    Number of Presets

    16

    Parameters

    2 controllable

    Channel Level Set LED (Sensitivity)
    0 dBu (normal operating level)
    VU Meters
    Main L/R 12 segments Clip, +10, +7, +4, +2, 0, -2, -4, -7, -10, -20,-30
    Weight:
    CFX12.mkII

    17.8 lbs (8.1kg)

    CFX16.mkII

    21.0 lbs (9.5kg)

    CFX20.mkII

    24.3 lbs. (11.0kg)




    (2) SHURE SM58 MICROPHONE



    The legendary Shure vocal mic is tuned to accentuate the warmth and clarity of lead and back-up vocals. Consistently the first choice of performers around the globe. The Shure SM58(r) is a unidirectional (cardioid) dynamic vocal microphone designed for professional vocal use in live performance, sound reinforcement, and studio recording. A highly effective, built-in, spherical filter minimizes wind and breath "pop" noise. A cardioid pickup pattern isolates the main sound source while minimizing unwanted background noise. The SM58 has a tailored vocal response for a sound which is a world standard. Rugged construction, a proven shock mount system, and a steel mesh grille ensure that even with rough handling, the SM58 will perform consistently. Outdoors or indoors, singing, speech - the SM58 is the overwhelming choice of professionals. *

  • Frequency response tailored for vocals, with brightened midrange and bass rolloff *
  • Uniform cardioid pickup pattern isolates the main sound source and minimizes background noise *
  • Pneumatic shock-mount system cuts down handling noise *
  • Effective, built-in spherical wind and pop filter *
  • Supplied with break-resistant stand adapter which rotates 180 degrees *
  • Lengendary Shure quality, ruggedness and reliability *
  • Cardioid (unidirectional) dynamic *
  • Frequency response: 50 to 15,000 Hz

    Specs: http://www.shure.com/pdf/specsheets/spec_wiredmics/sm58.pdf


    (3) DR Pro Professional Microphone Stands with Booms


  • Tripod base
  • Adjustable in three different places on the stand
  • Easy storage while folded up


    (2) 50 foot Live Wire Speaker Cables

  • Reading on the cable "Pro Co Plus 12-2 Speaker"


    (3) 50 foot Live Wire Microphone Cables

  • Reading on the cable "Pro Co Dynamike 223B"


    (2) 5 foot Live Wire Microphone Cables

  • Reading on the cable "Pro Co Dynamike 224S"


    (1) Furman RP9L Power Conditioner and Light Module

  • 1800 watt capacity


    (1) Odyssey Innovative Design Mixer Case

  • 43-high hole rack
  • 4 wheels for portability


    ALL MANUALS ARE INCLUDED